“SLAB theorists commonly counterpose ‘theory’ to ‘history,’ as if historical research could not also be theoretical. I propose a more informative opposition. SLAB theory and its offshoots, in their deepest assumptions and their concrete practices, have consolidated a new scholasticism, a ceaseless commentary on authoritative sources. Poetics, on the other hand, frankly offers scholarship--an open-ended, corrigible inquiry that respects the reciprocal claims of conceptual coherence and empirical adequacy. Lacking a substantive doctrine, it does not have the answers ready before anyone has asked the questions.”- David Bordwell, Historical Poetics of Cinema
Nearly one year ago, TYHIVN featured a photographic essay of the breathtaking SLABs of Clinton Hill, Brooklyn. Today we introduce you to a new slab on the block, the Butter-Yellow SLAB.
Often outlandish in appearance and decoration, SLABs are expected to display their elaborate custom plumage not with speed, but with a slow, signature gait. The object, of course, is to cruise as slowly and demonstrably as possible so as to showcase as much as possible the amount that the driver is generally said to be "flossin’". Thus, the exploration of new vertical dimensions by way of hydraulics, so as to perform the extended aesthetic of movement without whizzing out of sight.
Hip-hop has developed special names for this automotive crawling. A SLAB is said to “creep” or “tip-toe” along. While I have never seen the Butter-Yellow SLAB in motion, it is safe to assume that this vehicle might “ooze” or “smear” down the block. In a way that would make you believe the hand of God were spreading it across the pavement with a hot knife.
A SLAB discovery of this magnitude forces the SLAB connoisseur to re-imagine the long-standing neighborhood SLAB canon. Not only does the butter-yellow SLAB stand as a serious Clinton Hill contender, its creamy pastel color threatens to overthrow everything we thought we knew about the SLAB-as-transcendent-acronym. As mentioned in the original SLAB post, this acronym dwarfs its own word components (Slow, Low, And, Bangin’) to achieve a descriptive whole greater than the sum of its parts. The Butter-Yellow SLAB embraces and enhances this effect by dressing itself as another well-known slab – a slab of shortening.
Ill-fitting panels cleave from each other and sag slowly to the asphalt, the rear wheel already swallowed by the smooth inexorable melting of the creamy body. If SLABs were designed to drive slow and low, and indeed they were, then the moist, oozing body of the Butter-Yellow slab is in a constant state of becoming.
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In other SLAB news: The Golden Supreme Slab has been been spotted around the neighborhood sporting what appears to be a new paint job.
Did the Golden Supreme Slab get a new paint job? Closer inspection reveals: no, no it did not.